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  1. Understanding a wounded civilisation: a sociological reading of V.

  2. (PDF) V. S. NAIPAUL: QUEST FOR AN IDENTITY AND PURSUIT

  3. Prologue - V. S. Naipaul and World Literature

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    V. S. Naipaul is not alone in such ambivalence towards India. Other Indo-Trinidadians like, Peggy Mohan, who now lives in India, mentions that an Indo-Trinidadian visiting India has ambiguous appearance and has anxieties about how s/he will be viewed and treated ( 2007: 233).
    In and to India, he was an outsider–insider. Born and socialised as a child in colonial Trinidad, rejecting his Brahman and Trinidad background, and settling down in England, Naipaul honed an astute skill for observation and conversation to become one of the best writers in the English language in the twentieth century.
    Naipaul noticed that ‘out of this chaos, out of the crumbling of the old Hindu system, and the spirit of rejection, India was learning new ways of seeing and feeling’ (WC, 344). He analyses the new ways of seeing and feeling through the plays of Tendulkar and the portrayal of their protagonists.
    Naipaul recalls Narayan’s terse statement when he first met him in London in 1961: ‘India will go on’ (WC, 314). Naipaul heard it again from others with whom he interacted in 1975–1976 during the Emergency. This is emblematic of the sense of ‘an old equilibrium’, ‘the Hindu equilibrium’ (WC, 314, 334).
  5. Leaving the Naipaul Myth Alone: On Sanjay Krishnan’s V.S.

  6. Introduction - V. S. Naipaul of Trinidad - Cambridge University …

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  8. A House for Mr. Biswas Summary - eNotes.com

  9. “Where Everything Starts Unraveling:” Sensibility, Rupture and ...

  10. A House for Mr. Biswas Themes - eNotes.com

  11. Of a Free Man: Downplaying colonial crisis in the discourse of V. S ...

  12. V.S. Naipaul: A Literary Journey Through Identity and Exile